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Movie News

Rattle and Hummmm…

We came across this announcement from Screen Daily: “Kaleidoscope Film Distribution (KFD) is handling world sales on animated feature Danny Diamondback, which Aardman Animation alumni Darren Walsh (Shaun The Sheep TV series) will direct. It’s the story of a young rattlesnake with a musical talent in his tail. The film is based on the children’s novella of the same name, first published by Harper Collins and written by illustrator and production designer Barry Jackson (How The Grinch Stole Christmas). Jackson has written the script and will be heading up production design on the project. Siege Train Studios’ Curtis Augspurger (Valiant), Matthew Hampton, and Cora Palfrey will produce the film alongside Jackson. Bibo Bergeron (Shark Tale) will serve as executive producer.” That’s one heck of a lotta veteran anthropomorphic talent on one project. No word yet on if the film is to be CGI or claymation. Guess we’ll find out after they give us a projected release date!

image c. 2016 Kaleidoscope Entertainment

image c. 2016 Kaleidoscope Entertainment

The Man is a Mollusc (Okay, Crustacean…)

This may have passed beneath your radar: It’s a new dark comedy dystopian film called The Lobster, and it’s the first English-language film by Greek director Yorgos Lanthimos. It’s been winning rave reviews and lots of awards on the art-film circuit. Here’s the summary from Wikipedia: “According to the rules of the City, single people are taken to the Hotel where they are given 45 days to find a partner. Those who fail are turned into an animal of their choice and released into the forest. The guests attend dances and watch propaganda extolling the virtues of partnership. They can extend their stay by hunting escapees, the Loners, with tranquilizer guns in the woods. After his wife leaves him for another man, David arrives at the Hotel with his brother, who has been turned into a dog.” David, by the way, is played by Colin Farrell. This may or may not all make more sense when you go to see it. The Lobster has been doing very well in platform release, and it’s likely to expand to more theaters soon.

image c. 2016 Element Pictures.

image c. 2016 Element Pictures

Peace of Mind. It’s a Piece of Cake.

Looks like we have not seen the end of anthropomorphic movies for 2016. Now another one has been added to the growing herd: The Wild Life, an English-language version of the Belgian CGI film Robinson Crusoe. From Cartoon Brew: “In this loose adaptation of Daniel Defoe’s tale of a castaway marooned on an island, Crusoe must team up with a bunch of animals to defeat a couple of savage cats who are trying to take over his tropical home. Ben Stassen and Vincent Kesteloot directed at nWave Pictures (The House of Magic, Fly Me to The Moon), which produced the pic with Studiocanal. It opened last month in Germany, and has grossed a respectable $4.6 million to date in that country.” Both Cartoon Brew and Animation Scoop have the first English trailer. Lionsgate (Norm of the North) is set to release The Wild Life this coming September.

image c. 2106 Lionsgate

image c. 2106 Lionsgate

Try Everything: From Movies To Comics

As of this writing, Disney Animation’s Zootopia remains number one at the box office in the USA and several other countries, breaking records left and right for an animated film — Disney or otherwise. Now Joe Books (no, we don’t know who they are either) bring Zootopia to their Cinestory series of comic book adaptation. Telling the story of plucky bunny cop Judy Hopps and “articulate” fox Nick Wilde in the all-mammal city of Zootopia, using full-color stills from the movie in comic form. Diamond Distributors have more information about it.

image c. 2016 Joe Books, Inc.

image c. 2016 Joe Books, Inc.

Before the Movie, the Manga

Just in time for the full North American release of  Mamoru Hosoda’s latest anime feature, The Boy and the Beast (on the same weekend as Zootopia’s release, grumble grumble…), Yen Press have published Mr. Hosoda’s black & white manga of the same title. “Fleeing tragedy and mistreatment, a young boy named Ren hides among the crowds in Tokyo’s busy Shibuya ward. His efforts to run away are more successful than he realizes when he ends up in the world of the beasts! A rough-living bear named Kumatetsu gives Ren a new life and a new name–Kyuta–but is Kumatetsu really up to the job of being a mentor?” Find out! And check it out over at Yen’s web site.

image c. 2016 Yen Press

image c. 2016 Yen Press

The Annie Awards, Part 2

In addition to the industry-voted honors, each year the Annies celebrate several talented individuals with special honorary awards. This year, all four recipients had a history of anthropomorphic works of one sort or another. The June Foray Award (for service to the community and art of animation) went to veteran Disney producer Don Hahn, who of course helped to shepherd Who Framed Roger Rabbit?, Beauty and the Beast, and The Lion King (among many other films) into existence. The Windsor McCay Award went to three individuals for their lifetime achievement in cartoons. Isao Takahata (co-founder of Stuido Ghibli with Hayao Miyazaki) is celebrated far and wide for anime films like The Grave of the Fireflies and The Tale of Princess Kaguya, but he also directed the tenuki adventure Pom Poko. (And, early in his career, he directed episodes of Panda! Go Panda!) Phil Roman founded his animation studio Film Roman in the 80’s, and they have since become famous as the home of The Simpsons and King of the Hill. But they are also the studio that gave us furrier works like Garfield and Friends, Cro, Mother Goose and Grimm, C-Bear and Jamal, and The Twisted Tales of Felix the Cat. Finally, a special posthumous McCay Award was presented to the memory of Joe Ranft, Pixar Studio’s head of Story, who died in a tragic car accident ten years ago. Over the years Joe worked on numerous animated films at Pixar and Walt Disney Animation, but he may perhaps best be remembered as the voice of Heimlich the caterpillar in Pixar’s movie A Bug’s Life.

image c. 2016 Pixar, Walt Disney Company

image c. 2016 Pixar, Walt Disney Company

Furry Winners at the Annie Awards

Once again your humble ed-otter was lucky enough to attend the Annie Awards for 2015, presented at UCLA’s Royce Hall on February 6th. Presented by the International Animated Film Society (ASIFA), the Annie Awards honor the best of the animation industry — as selected by members of that industry. Surprising no-one, the night belonged to Pixar’s Inside Out. (It has already won almost every major award it has been nominated for, and of course it’s nominated for an Oscar as well.) Inside Out won in the Best Feature categories for Storyboarding, Editing, Character Design, Music, Character Animation, Production Design, Voice Acting (Phyllis Smith as Sadness), Writing, Directing, and (of course) Best Animated Feature. Bing Bong himself even helped to present some of the awards. (*sniff* Bing Bong…) A few other features managed to sneak in awards, and some of them were even for animal characters! The Good Dinosaur won in the category of Best Effects Animation. (It’s been celebrated far and wide for its realistic backgrounds and water effects.) And The Revenant won Best Animated Character In A Live Action Production for the bear that nearly eats Leonardo DiCaprio. Over in the TV and other divisions, furries were well-represented in several award categories. Disney’s new Mickey Mouse Shorts won for Best Storyboarding, Best Music, and Best Editing. ASIFA favorites. Dreamworks TV had two wins, as Dragons: Race to the Edge won for Best Character Animation and The Mr. Peabody and Sherman Show won for Best Production Design. Previous Annie favorites Tumble Leaf and Wander Over Yonder won for Best Production for Preschoolers and Best Production for Children, respectively. Psyop (home of those infamous Orangina commercials!) won Best Commercial for their Coca Cola ad Man and Dog, and Best Animated Game went to the monster adventure Evolve from 2K. [To save space, tomorrow we’ll tell you about the special awards presented at the Annies — and why you should care!] You can find out more about all of these and more over at the ASIFA Hollywood web site.

image c. 2016 Pixar

image c. 2016 Pixar Animation

Are You a Good Wish, or a Bad Wish?

Over at Cartoon Brew there’s an article about Wish Police, the next big film project to come out of Reel FX (home of Free Birds and The Book of Life). “Based on a novella of the same name by Daniel Nayer, Wish Police takes place in a world where children’s bad wishes come to life as mayhem-making villains, and a secret organization called The Wish Police must work full-time to apprehend the evildoers. The Wish Police are led by Saul, an ex-genie determined to atone for centuries of granting his masters’ evil wishes, and Kong, a wise-cracking monkey and royal pain in the leg. In the film, Saul and Kong must break their personal rules and team up with a 12-year-old boy named Randy who has made a particularly bad wish and unleashed the most powerful wish villain ever seen.” The film is to be directed by three young filmmakers from Spain, Adrian Garcia, Alfredo Torres, and Victor Maldonado, “who are collectively known as Headless”. The CGI film is being produced by Kirk Bodyfelt (Cloudy with A Chance of Meatballs 2) and written by some folks who worked on Kung Fu Panda. The film is scheduled for release in late 2017.

image c. 2015 Reel FX

image c. 2015 Reel FX

Wolves in Mongolia

More interesting news from Cartoon Brew: Rob Minkoff (The Lion King,  Stuart Little, Mr. Peabody & Sherman, etc etc…!) has signed a two picture deal with Le Vision USA, the American wing of China’s Le Vision Pictures. The first is for a live-action comedy called Silkworms (which we know nothing about, so far). The second, of more interest here, is for an animated adaptation of Chinese author Lu Jiamin’s semi-autobiographical novel Wolf Totem.  Earlier this year the book was adapted into a Chinese-language live-action film, directed by Jean-Jacques Annaud from France. The story tells of “…a Chinese student who is sent to Inner Mongolia to teach shepherds and instead learns about the local wolf population, which is under threat by a government apparatchik”. (Shades of Never Cry Wolf, anyone?) At this point we do not know if Mr. Minkoff will simply be producing the animated version, or if he will direct. Nor have we gotten any word as to a projected release date. Guess we’ll find out!

image c. 2015 Forbidden City

image c. 2015 Forbidden City