Richard Starkings has announced that his Elephantmen comic book series (home of Hip Flask) has been optioned by Zucker Productions for development as a feature-length film. No word yet on whether the project would be live action, CGI, or some combination of the two. Also, we’re not being told yet if Jerry Zucker (Ghost) will be directing or simply producing. We do know that Starkings will be creating the story treatment for the feature himself. If you’re not familiar with the world of Elephantmen, here’s a quick summary from the press release for the film project: “Elephantmen is an Eisner Award winning series first published in 2002 under Starkings’ Active Images imprint. In 2006 Image Comics approached Starkings to bring the book under their umbrella. The story of the Elephantmen takes place in Los Angeles in the not too distant future — in a world where human/animal hybrids were created to fight a war between Africa and China. Scarred by their experiences in war and seeking to somehow find their own humanity, the Elephantmen are now scattered throughout the world amongst the humans they were created to kill. Elephantmen is a brilliant commentary on racism, miscegenation, global warming, stem cell research and warfare. Created and written by Starkings, the series features artwork by Ladrönn, Moritat, and Boo Cook.“
Movie News
The Power of the Viewing Public…
We can’t put this any better, so we’re lifting this verbatim from Box Office Guru:
“The big story this weekend came in third place [behind Date Night and Clash of the Titans — ye ed-otter] where the 3D animated film How To Train Your Dragon witnessed a remarkably low 13% decline in its third round for an estimated $25.4M gross boosting the 17-day total to a terrific $133.9M. Short-sighted film industry watchers and impatient Wall Street investors prematurely dismissed Dragon and DreamWorks Animation after its less-than-stellar opening weekend two weeks ago. The company’s stock dropped 8% on the first trading day after the debut with analysts lowering their estimates for the final domestic take to just $152M. Dragon will now crush that mark next weekend and looks on course to break the $200M barrier too becoming the second biggest 3D toon of all-time behind just the $293M of Up. Beating Pixar’s Oscar winner may not be possible, but outgrossing other competitors like Monsters vs. Aliens, Ice Age 3, and Cloudy with a Chance of Meatballs makes Dragon a powerful performer. The PG-rated film was indeed slow out of the gate, but amazing word-of-mouth coupled with school holidays for spring have made Dragon the must-see film for kids and parents. Competition for families and 3D screens remains extremely light for the next five weeks so the Viking pic’s strong run should continue. Reaching $250M cannot be ruled out at this point given the road ahead since Dragon will be able to earn at least five times its opening figure, if not more.”
In other words, keep spreading that amazing word-of-mouth, people!
Marmaduke Strikes!
Happy Easter (yes belated) and welcome to spring, everyone!
The march of CGI-enhanced talking animals continues. This time it’s Marmaduke, that famously over-sized Great Dane from the long-running newspaper strip by Brad Anderson, comes to the big screen this coming June. But this time, Marmaduke talks — with the voice of Owen Wilson, no less. Also in the voice cast are George Lopez (playing a cat this time — fickle!), Fergie (as a collie who catches Marmaduke’s eye), Kiefer Sutherland (as a purebred rottweiler who gives our mutt-ish hero grief), Ron Perlman, Emma Stone, Tom Wilson, and Damon Wayans Jr. Quite a cast. The film was directed by Tom Dey, and is being released by 20th Century Fox. You can check out the trailer on YouTube and elsewhere on the net.
Godzilla Returns in 2012
This will either excite you are make you groan: Legendary Pictures has finally sealed a deal with Toho Company to create a brand-new American Godzilla feature film, schedule for release in 2012. No word yet on a director, writer, human star, or monstrous co-stars for this new film. Some may recall the last time (shudder) that Godzilla emerged from American movie studios under the command of director Roland Emmerich (2012, Independence Day) and writer Dean Devlin (Independence Day, Stargate). At the time the fan response world wide was… less than enthusiastic (and less than pretty). This time around, the folks at Legendary are swearing that they are all Godzilla geeks and that they “get” the appeal of The Big G and his movies. We shall certainly see. You can check out the official Legendary Pictures press release at Rotten Tomatoes.
Training Dragons
Anticipations are running high for Dreamworks Animation’s How To Train Your Dragon, which hits movie screens this Friday, March 26th. As of this writing the film has a 100% “fresh” / 0% “rotten” rating at Rotten Tomatoes.com — likely to go down as more reviews come in, of course, but still one heck of a high to be starting from. Many critics have noted the flying sequences in this 3D CGI film to be especially exciting. If you’ve not heard, the story follows the adventures of Hiccup (voiced by Jay Baruchel), a young viking in a land constantly at war with various species of fire-breathing dragon. When Hiccup’s new invention — a sort of bolo-catapult — injures a young dragon, the human is surprised to find himself befriending the beast (he names it “Toothless”). In the process, Hiccup finds out far more about dragons and his own people than he ever expected. Of course, getting humans together with unusual non-human friends is nothing new for directors Dean DeBlois and Chris Sanders: They’re the team that gave us Disney’s Lilo and Stitch.
The Legend of the Guardians
The animation team that brought us Happy Feet (which, we’re told, did rather well…) returns this fall with The Legend of the Guardians. This CGI film, directed by Zack Snyder (300, Watchmen) is based on the first three books of the 15-book series The Guardians of Ga’Hoole by Kathryn Lasky. The subject is owls. Specifically a starry-eyed young owl named Soren (Jim Sturgess of Across the Universe). Soren is obsessed with stories about the legendary Guardians of Ga’Hoole, armored owls who protect the weak and innocent against evil. Soren dreams of meeting them, and even of possibly becoming one. And he may well have to, when he discovers that an evil queen owl (Helen Mirren of The Queen (!)) is kidnapping young owls and brain-washing them for her own personal army. The film comes to theaters this September, but you can follow the film’s development and see a trailer at the Internet Movie Database.
Soren and family. Image c. 2010, Animal Logic
More CGI Dogs from India
In the spirit of Roadside Romeo — but with a completely different cast and crew! It’s Koochie Koochie Hota Hai, a new CGI animated film coming this summer from India’s Prana Productions. It’s a loose remake of the 1998 live-action film Kuch Kuch Hota Hai, which was the highest-grossing Bollywood film of that year. This new cartoon feature follows the lives of three high school dogs — one guy, two girls — in a love triangle, and throws in the added plot element of a time travel machine. In a sly wink to the original film, lead actors Shahrukh Khan and Kajol play the lead voices in this new version, along with several well-known comedy and action stars in other roles. You can check out the trailer on YouTube.
“Up” takes it, but…
The International Animated Film Society (ASIFA) presented the 37th annual Annie Awards on Saturday, February 6th. The presentation was held at UCLA’s Royce Hall, and none other than William Shatner was the host.
As many had been expecting, Disney/Pixar’s Up took the honors for Best Animated Feature Film, as well as a Best Director win for co-director Pete Docter. But what was notable about the evening was that, unlike last year’s Kung Fu Panda sweep, no one film or TV show ran away with a multitude of awards. By sheer numbers, three items emerged victorious for winning three awards each: Coraline (Best Feature Character Design, Best Feature Production Design, Best Feature Music), Prep & Landing (Best TV Character Design, Best TV Production Design, Best TV Production), and The Princess and the Frog (Best Effects Animation, Best Feature Character Animation (Eric Goldberg for Lou the Alligator), and Best Feature Voice Acting (Jen Cody for Charlotte). The Penguins of Madagscar won two awards, Best TV Directing and Best TV Production for Children. Another 10 items won a single award each, including one for Fantastic Mr. Fox (for Best Writing in a Feature). In other words, the awards were spread around quite a bit!
Besides the regular awards, the evening also included several special awards and honors. Bruce Timm, Jeffrey Katzenberg, and Tim Burton each received the Winsor McCay Award for Lifetime Achievement in Animation. The June Foray Award for “Benevolent Impact” on Animation went to long-time animator and union activist Tom Sito. William T. Reeves of Pixar won the Ub Iwerks Award for Technical Achievement (he practically invented particle systems animation), while Martin Meunier and Brian McLean were given Special Achievement Awards for creating a new fabrication process used in making the film Coraline. Also, moving tributes were held for the late Roy E. Disney and Wayne Allwine (the voice of Mickey Mouse). A complete listing of the Awards and pictures from the ceremony will be up soon at the Annie Awards web site.
Cats and Dogs, living together…
We don’t remember it doing that all-fire well at the box office, but evidently it pleased someone: Cats and Dogs (from 2001) has inspired a big-screen sequel, Cats and Dogs: The Revenge of Kitty Galore, coming to theaters (in 3D) at the end of July. In spite of it not appearing until this summer, a full-fledged trailer is available for viewing on YouTube and elsewhere. From what we can tell the cast, crew, and characters appear to all be different from the first film. This time around the secretly high-tech cats and dogs put aside their warring ways in order to battle with a rogue cat spy — voiced by Bette Midler no less! — who has evil plans of her own. Hmm, could it be that the basic idea of the first film (dogs as heroes and cats as villains) so turned off “cat people” that it wound up limiting the film’s audience — and box office? We’ll find out if this new take on things performs any differently this summer.
