For those of us cartoon fans (and would-be animators) who’ve been following the controversy between ASIFA Hollywood (the largest chapter of the International Animated Film Society, and home of the Annie Awards for animation) and Disney/Pixar, this is some big news: A shake-up in the leadership of the Hollywood Chapter, and news of some big changes planned for how the organization works. Cartoon Brew has the story, quoted here from the ASIFA-Hollywood Press release: “ASIFA-Hollywood has announced the selection of its new President, Frank Gladstone, at its February board meeting. Gladstone replaces Antran Manoogian who held the position for over 20 years. Longtime ASIFA-Hollywood VP [and TAG President Emeritus] Tom Sito chose not to run for re-election; taking his place is Jerry Beck [one of the head-honchos at Cartoon Brew — ye ed-otter]. ‘First and foremost, we owe Antran Manoogian an enormous amount of respect and admiration for his many years of selfless devotion to ASIFA-Hollywood,’ says Gladstone. ‘Antran has seen the organization through a period of unparalleled growth and success, going from a small club to an organization of over 4000 members. During his stewardship, Antran established, among many achievements, a digital archive, and built the Annie Award into the most important honor in animation. Though I’ve been part of ASIFA and the animation community for a long time, I am looking forward to being the ‘new face’ of the organization and to making some significant changes to the status quo. For starters, this includes updating our membership qualifications, establishing a representative voice for every animation studio and creative technique, building an advisory board of animation luminaries and revising the voting structure of the annual Annie Awards. In the next few weeks ASIFA-Hollywood will be holding meetings with executives from all the major studios to get their input on how we can improve our infrastructure. ASIFA-Hollywood will take this time to ask its members, both individual and corporate, to come together and advise them on how best to chart the course for decades to come. In addition they will invite many of its members to join the executive board.’ Frank Gladstone has been a professional animator, producer, director, writer and teacher, first managing his own studio, and then working in management positions for Disney, Warner Bros. and DreamWorks, among others. He is currently the CEO of the animation consulting firm, Gladstone Film, teaches worldwide and is the ‘artist-in-residence’ for the ACME Network.”
Movie News
Go Back to the Planet of the Apes — Again
It seems like we just can’t get away from those damned dirty apes — not that a lot of us actually want to! Now BOOM Studios is premiering a brand-new Planet of the Apes full-color comic book series this April, written by Daryl Gregory (an award-winning novelist) and illustrated by Carlos Magno. The story this time takes place prior to the original 1968 Planet of the Apes movie, a time when humans and apes have formed an unsteady truce — very unsteady, it seems. Ape Central.net (a division of ComicBookMovie.com) has the story, as well as links to the brand new Planet of the Apes movie Ceasar: Rise of the Apes, starring James Franco and directed by Rupert Wyatt. Recently the film’s premier was moved back from this summer to this coming Thanksgiving.
image c. 2011 BOOM Studios
Hood vs. Evil
One of the box-office surprises of 2005 was a little film called Hoodwinked — the first independently produced CGI film, which went on to make a rather tidy little profit. Talk began almost immediately about sequel for the film — and now, that sequel is coming to theaters on April 29th. Hoodwinked introduced us to Little Red Riding Hood, her rather resourceful (and butt-kicking) Granny, and a big-but-not-so-bad Wolf. All three of them return in the new film, Hoodwinked Too: Hood vs. Evil. They’re joining up with an outfit known as the Happily Ever-after Agency (HEA) on a mission to save Hansel and Gretel from a wicked witch. Some things have changed — Hayden Panettiere (Alpha and Omega) replaces Anne Hathaway as the voice of Red, and the director this time is Mike Disa, previously known as a director of video short films. But once again we have Patrick Warburton as the Wolf, Glenn Close as Granny, and David Ogden Stiers as the frog Nicky Flippers, head of HEA. You can view the current trailer for the film on YouTube here.
WE3 Return. Run!
WE3 was a well-known and well-received 3-issue comic book miniseries written by Grant Morrison (Animal Man) and illustrated by Frank Quitely (New X-Men). This full-color comic was first published by DC Comics’ Vertigo imprint in 2004, and was first gathered together as a trade paperback graphic novel in 2005. Now, the graphic novel version returns, again published by Vertigo. This time it’s a brand-new hardcover edition, featuring new story pages by the creators. It’s scheduled for release this coming June 15th. The story of WE3 follows three stray animals — a dog, a cat, and a rabbit — who are captured by a secret military organization and transformed into cybernetic weapon-animals. Now they have limited speech, they are covered in body-armor, and they are armed to the teeth with deadly weapons. When they learn they are to be decommissioned, they make a break for freedom — pursued not only by the military, but by other cybernetic animals. Interestingly, the WE3 entry on Wikipedia mentions that in 2006 WE3 was optioned for development as a CGI film by New Line Cinema. Then came the word (in late 2008) that New Line was no longer involved in the project, but that John Stevenson (co-director of Kung Fu Panda) was now attached to the film as director.
And Speaking of Awards…
Saturday the 5th of February it was time once again for the annual Annie Awards, presented by the International Animated Film Society (ASIFA) for the best in animation. This year, of course, was the year of controversy for the Annies, now that Disney/Pixar have pulled their sponsorship and official participation in the awards due to what they feel are flawed and lop-sided voting practices. Specifically, they’ve accused the Annies of being overly weighted toward Dreamworks Animation productions. Probably because there is a very large percentage of ASIFA that includes Dreamworks employees as members. Probably because at one point Dreamworks was offering to subsidize its employees’ membership in ASIFA, while Disney and Pixar were not. So, it probably didn’t sit well at all with Disney and Pixar that Dreamworks’ How to Train Your Dragon swept the Annie Awards this year, much like Kung Fu Panda did a couple of years ago. In fact, this year, the Kung Fu Panda Holiday TV special also swept the Annie Awards in the television categories. Here’s a recap from Variety: “DreamWorks Animation ended up with 15 Annie Awards, 10 for How to Train Your Dragon and five for its television production Kung Fu Panda Holiday. In addition to best picture, Dragon picked up nods for helmers Chris Sanders and Dean DeBlois, animated effects, character animation, character design, music, production design, storyboarding, voice acting for Jay Baruchel [Hiccup], and writing. Kung Fu Panda Holiday was named the top TV production and racked up trophies for character animation, direction, production design, and voice acting for James Hong [Mr. Ping].” Other awards from the evening (ones that Furry Fans might notice) included T.U.F.F. Puppy winning two awards for storyboards and character design (in a TV production). Ryan Page won the first ever Annie Award for “Character Animation in a Live Action Production” for his work on Tim Burton’s Alice in Wonderland. The evening also featured lifetime achievement awards (the Windsor McCay Award) for director Brad Bird (who joked in a video clip about his move from directing animation to live action), veteran animator Eric Goldberg, and creator Matt Groening (who joked live about the fact he’s spent 23 years in animation and only done two things: The Simpsons and Futurama). You can read more about the Annie Awards — and soon, see pictures from the show — on their web site.
Hats Off To Them
Among the many strange, strange live-action TV series brought into the world by the brother team of Sid and Marty Kroft, certainly one of the stranger was a 1973 show called Lidsville. For those not from that era, or who might have forgotten it (or thought it was a funky dream brought on by bad pizza): A young boy named Mark (played by Butch Patrick, better known as Eddie Munster on The Munsters) visits an amusement park and winds up falling into an enchanted magician’s hat (don’t ask) where he plummets into a land of living, walking, talking hats! He also meets a male genie (played by a woman) and an evil magician played by a very loud Charles Nelson Reilly. Told you it was strange. Well, now comes the word that Conrad Vernon (director of Monsters vs. Aliens) will be directing a new animated Lidsville feature for Dreamworks animation. Cartoon Brew has excerpts of an interview that the New York Times did with Conrad about the project. No word yet on a release date. They’re keeping it under their hats. [Sorry…]
A Lidsville lunch-box from the 70's
Not the Oscar Surprises We Expected…
This morning the Academy of Motion Picture Arts & Sciences announced the nominees for the 83rd annual Academy Awards (the “Oscars”), to be presented on Sunday, February 27th. As everyone expected, Disney Pixar’s Golden Globe-winning Toy Story 3 (the biggest world-wide money maker released in 2010) was nominated for Best Picture of the Year (which a lot of people are saying it will not win) and Best Animated Feature (which a lot of people are saying it will win). TS3 was also nominated for awards in the categories of Best Song (by Randy Newman, of course), Best Sound Editing, and… Best Adapted Screenplay?? It seems that the Academy considers a sequel film to be “adapted from a previous existing medium” because it uses previously created characters and settings. Or so we’ve been told. Fine. Dreamworks’ How to Train Your Dragon was also nominated for Best Animated Feature, as well as Best Original Score (by John Powell). Interestingly, the third slot for Best Animated Feature went to The Illusionist from France, whereas the Golden Globe Awards had chosen Sony’s Despicable Me. Other furry-themed pictures to watch include Tim Burton’s Alice in Wonderland from Disney, which was nominated in the categories of Best Makeup, Best Costume Design, Best Art Direction, and Best Visual Effects. Check out CinemaBlend.com for a complete listing of nominees. Of course, before the Oscars come the Annie Awards for animation on February 5th. It’s always interesting to see how the two groups of awards compare.
Hello Everyone. Peabody Here.
Cartoon Brew is reporting that Robert Downey Jr. has been tapped to play the voice of none other than Mr. Peabody in a new live action/CGI film from Dreamworks, Mr. Peabody and Sherman. For you young folks who don’t know: Mr. Peabody is a genius-level talking dog, and Sherman is his loyal human boy assistant. The original animated cartoon was part of the Rocky & Bullwinkle cartoon series, animated by Jay Ward Productions. This new version is being written by Jeffrey Ventimilia and Joshua Sternin (from the recent Yogi Bear movie) and directed by Rob Minkoff (from The Lion King). There’s a wait to see how this turns out: The film isn’t due until 2014.
image c. 2011 Jay Ward Productions
Cinderella in the Old West
More CGI news from across the Atlantic… French director Pascal Herold (The True Story of Puss ‘n’ Boots) is working on a new anthropomorphic version of the story of Cendrillon… known to the English-speaking world as Cinderella. Here’s a quick re-cap from Animation World Network: “Based on Charles Perrault’s novel, this Cinderella story is set in the American Wild West and follows a cute tomboy named Cinderella who loses a tooth during a fight with pirates at Prince Charming’s ball. The characters are humanoid animals.” Animation Magazine recently had a character portrait of the “cute tomboy” antelope who stars in the film. It’s set for release this June. A company in Toronto, Canada is representing the film for world release; no word yet on if that includes the USA.
