As we wish you all a happy, healthy, and creative New Year in 2012, it’s time to start thinking about what we’re going to award from 2011! Besides the Oscars and the Annie Awards (which many of us follow closely), for Furry Fandom it’s time to start thinking about the annual Ursa Major Awards, the anthro-fan’s answer to the Hugo Awards ™ from science fiction fandom. Nominations for 2011 are open to any and all, and they open on January 12th. If you visit the Ursa Major Awards web site, you’ll find the Recommended Anthropomorphics Reading and Viewing List for you to peruse, listing some of the many interesting items of anthropomorphic interest that came about in 2011. Like what? Well… movies like Rango, Rio, Puss in Boots, and Kung Fu Panda 2… TV series like Thundercats, Kung Fu Panda: Legends of Awesomeness, and My Little Pony: Friendship is Magic… books and stories by authors like Kyell Gold, Alflor Aalto, MCA Hogarth, and Paul Kidd… plus comics, games, artwork, and a brand new category for Best Anthropomorphic Web Site. All this and much much more! But remember: An item does NOT need to be on the Recommended List for you and your friends to nominate it for an Ursa Major Award. It just needs to be Furry! [Check the web site for how the Ursa Majors define that!] After the the nominations are tabulated, the voting will begin this spring — followed by the Ursa Major Awards presentation at CaliFur in Southern California this June. Remember, last year more than 1,000 fans world wide took part in the voting. Help to make that number even bigger in 2012!
Animation
Little Nutbrown Hare on TV
Guess How Much I Love You is an popular and award-winning children’s book written by Sam McBratney and illustrated by Anita Jeram. Now SLR Productions has created Guess How Much I Love You: The Adventures of Little Nutbrown Hare, a 2D animated TV series with young children in mind. Like the book, the series takes place in an idyllic woodland where Little Nutbrown Hare lives and learns with his father, Big Nutbrown Hare, and all their friends. The series has been running on Disney Junior Australia, and is set to premier soon on Disney Junior USA. If you check out the SLR Productions web site for the show, you’ll find a link to another interesting TV series they’re working on called Captain Flinn and the Pirate Dinosaurs. Yes.
Well, that’s all for now. Except, of course, to say MERRY CHRISTMAS and HAPPY HOLIDAYS to you all. We’ll see you in 2012!
Rodent vs. Rodent
The Nut Job is a new CGI animated feature film that was announced in Animation Magazine’s 2012 calendar. It’s being produced by Toonbox Entertainment and Red Rover International, who are hoping to release it next summer. The director is Peter Lepeniotis, who first introduced his character Surly the Squirrel in a 2005 animated short film titled, appropriately, Surly Squirrel. In this new feature film, Surly and his rat buddy (named Buddy) must contend with a new group of rodents who invade their city park home. Not a lot to go on yet, but the film does have an entry up on IMDB, and Toonbox also has an web page for the project. Word is that The Nut Job may be developed into a TV series also.
From Africa to Europe
The trailers have begun to arrive for Madagascar 3, Europe’s Most Wanted, coming next June in 3D from Dreamworks Animation (of course). It’s directed by Eric Darnell (who co-directed the first two Madagascar films) and Conrad Vernon (Monsters vs. Aliens). Here’s the plot as described by the Wikipedia entry for the film: “Alex the Lion (Ben Stiller), Marty the Zebra (Chris Rock), Melman the Giraffe (David Schwimmer), and Gloria the Hippopotamus (Jada Pinkett Smith) set out to return to New York after escaping to Africa. Dependent on the mechanical know-how of the notorious monkeys and penguins, their plan inevitably goes awry and they find themselves stranded in Monte Carlo, where they try to escape Europe from animal control by joining up with a traveling circus by chance. Led by the venerable tiger Vitali, the animal-centered circus has seen better days. During the course of a tour through a series of European cities that ends in a fabulous big top in the heart of London, Alex, Marty, Melman, and Gloria help Vitaly, Gia the jaguar, and Stefano the sea lion, rediscover their passion for show business and reinvent circus performance.” In other words, they show them how to move it, move it…
Gon — Not Forgotten
In the “about bloody time” department: Word is out that Gon, the globally-popular manga by Tanaka Masashi, is finally being made into a CGI animated TV series. Gon, if you’ve been living under a rock and don’t know (or perhaps if he threw one on top of you) is a miniature dinosaur-like creature of tremendous speed and power. He lives in the animal world, and always seems to be getting into fights (comical, but still…) with other animals over simple matters like food and territory. Interestingly, this famous Japanese manga is being brought to television by an animation house in Korea, Daewon Media, with the help of the Japanese publishing house Kodansha. There’s a preview video up on YouTube which shows footage that was displayed recently at the TV trade show MIPCOM. The show is all set to premier in Japan and Europe early next year, with the rest of the world hopefully to follow soon after.
Happy Birthday … to Me!
This is no one’s idea of a personal blog, but when your ever-lovin’ ed-otter turned 47 yesterday he received two books from his family that are so cool and so furry that he just had to give mention to them — again. Both of them feature behind-the-scenes looks at recent Dreamworks Animation films, and both of them are available now (here and here) in hardcover from Insight Editions. The Art of Puss in Boots is edited by Ramin Zahed (veteran editor of Animation Magazine) with a forward by famous director Guillermo Del Toro. The Art of Kung Fu Panda 2 is edited by Tracy Miller-Zarneke (who worked on numerous animated films including Chicken Little and The Emperor’s New Groove) with a forward by famous actor Dustin Hoffman (aka Master Shifu). Both books feature so much background artwork and character development for these two very furry films that the reader may find themselves wondering which are more interesting: The final character designs or the sketches leading up to them.
Beauty and the Beast that Never Was…
Who knew that Secret of NIMH director Don Bluth and his crew had their own version of Beauty and the Beast in the works? Well they did, back in the day, and we stumbled across some pictures from the project. According to animation historian John Cawley (from Get Animated), “Early in 1984, Don began in earnest turning the famous tale into an animated feature. He even announced it in the Fall of 1990 in his Animation Club newsletter. At the time, he described it as ‘a tender love story that says, ‘a thing must be loved before it’s lovable.’ We sprinkled this classic tale with a generous amount of comedy, a little bit of terror, and a lot of love. From Nan, the clairvoyant dog, Max, a bird detective, and Otto, an escape artist lizard, to the King Bats, the Wee Beasties and Queen Livia, herself, this picture has something for everyone.’ An American Tail also interrupted this production. As work began on Land Before Time, Don felt that Beauty and the Beast would be his first independent picture. However in late 1986, the Disney Studio announced they were working on a version and by 1989 had begun full production (for a 1991 release). Knowing his version could not be completed before Disney’s, Don dropped the project.” The picture below and others were recently uncovered on Tumbler.
The Annie Awards Are Announced
On December 5th nominations were announced for the annual Annie Awards, presented by the International Animated Film Society (ASIFA). These are the Oscar Awards of animated cartoons, people, and every year their prestige in Hollywood circles seems to increase. As usual the nominations for 2011 included several films and TV series of interest to furry fandom — as well as a few of what are likely to be considered glaring omissions. Taking their cue from the Oscars themselves perhaps, this year the Annie Awards have no less than 10 nominees for Best Animated Feature Film, up from the usual 5 of years past. Notable anthropomorphic films up for the honor include A Cat in Paris, Cars 2, Kung Fu Panda 2, Puss in Boots, Rango, and Rio. Nominees for Best Animated Special Production (i.e., direct-to-video or DVD) include Adventure Time: Thank You, Ice Age: Mammoth Christmas, Kung Fu Panda: Secrets of the Masters, and Prey 2 — but not, interestingly, Dreamworks’ Gift of the Night Fury. Among the nominees for Best Animated Television Production for Children are Kung Fu Panda: Legends of Awesomeness and Penguins of Madagascar. Conspicuous in their absence perhaps: My Little Pony — Friendship is Magic and the reboot of Thundercats. What’s up with that? The Annie Awards will be presented at a gala Hollywood ceremony on February 4th, 2012, at UCLA’s Royce Hall in Los Angeles, California. You can find out more about the Annie Awards, including the full list of nominated productions and people, at the Annie Awards web site.
When Animation Took Over
So how’d we miss this? Well, it finally turned up in the Previews magalog, so now it can be told. Back in the late 70’s and early 80’s, animated cartoons (both feature and on TV — remember this was pre-web) were in a sorry stage, and worthwhile projects were few and far between. After the doors were kicked open (and the bar raised — very much!) by movies like Who Framed Roger Rabbit? in the late 80’s, animation really exploded in the 1990’s… culminating, of course, in the highest-grossing 2D animated film of all time — The Lion King — and the beginnings of the empire we now know as Pixar. Back in 2007, author G. Michael Dobbs (a former editor for the magazines Animato and Animation Planet) published a book that details this late-century explosion of animation called Escape! How Animation Broke into the Mainstream in the 1990’s. Through extensive reviews and interviews with with animation professionals, the book not only examines how animation became the box-office powerhouse we now know it as, but also how the cartoons of the 1990’s and after forever put to rest the notion (long-held in western civilization) that cartoons are not a medium that grown-ups should think about much. The book is still available in paperback at Amazon, from Bear Manor Media.







